Chattisgarh. India 2009
I’m back in blogging mode. I looked at the comments people made in my poll “I would like you write more about…” and it is time to answer your questions. The overwhelming category in which you are most interested is Creative Photography. I’m thrilled about that because creativity is the heart and soul of photography. It is not enough to just aim the camera at a spectacular subject and click the shutter; anyone can do that. You have reach in and grab the essential moment in a personal and creative way. So I’m going to continue to address this over the summer months.
Also, in the comments section, a number of you asked me to write about The Editing Process. I think learning how to edit your images goes hand-in-hand with being a a Virtuoso of Seeing. Recently I was having a critique session with a photographer whose photographic method mostly meant aiming the camera at an interesting subject, then cropping it into an interesting photograph during editing, and then saturating the heck out of it! I was amazed (and horrified to be honest) at this process. It seemed bass-ackwards to me. If you have taken a workshop with me you know that I’m all about “Get it all in the frame and get it right”. Since I evolved from world of slide film and picky editors, I learned very early on that I had to have it perfect in that slender piece of celluloid–no cropping and no changing of content (of course that wasn’t possible in the pre-Photoshop era).
During my travels I have absolutely no desire to document everything in front of me. I am wandering about enjoying myself waiting for that spark of synchronicity with a subject (whether it be animate or inanimate). When I find a subject that touches me then it up to me to interpret it creativity and honestly. Sometimes it is just one click of the shutter, but other times there is time to work it. Usually I am looking for not just one interpretation, but many. Many, many, many if I can. If it is a great subject, then keep evaluating and sensing and thinking until the moment is over, or the person is gone, or it just feels over.
I want to come home and look through a lot of good images and find A Great One.
First of all, I’m really only looking for three great images from a trip that is two to three weeks long. I think that is a high expectation to find three great images that surprise me, makes my soul gasp, and my fist pump YES. I’m satisfied if I can make one good image a day, but it is the great ones I really want to excavate out of the piles of photographic crap. So think in terms of A Good Image once a day, and A Great Image once a week when you are traveling.
It is important to expunge your mind of any emotional feelings you have about the images you are editing or the feelings you had when you made the image. When I look at my images, it doesn’t matter what a great time I had, or how much I struggled to get the image, or what a satisfying conversation I had with someone, or how exotic they appear to me (that is very subjective), or anything that convince that poor photo is a good one. An image has to stand on its own merits, not with my memories as a pedestal.
The first edit is The Agony and More Agony. All I see are the mistakes. That’s okay; all photographers go through this. I repeat: ALL Photographers. I always look at the mistakes and analyze them so I, hopefully, will not make them again. I learn a lot from my mistakes. I’m self-taught and this was the primary way that I evolved my creativity and seeing. I “reject” images I initially despise (I use Lightroom so I flag them as “Reject” using the X key). Then I go through all the photographs again using this method. I am not looking for The Great One; I’m getting rid of the terrible ones so I can see the Good Ones.
The third edit is A Relief. Now the good images are starting to appear. I am still rejecting images but now I can stop holding my breath because I know I wasn’t a complete failure. I filter the images so I only see The Rejects and I go through them to make sure that they really are Rejects. I suffer from an opposite ailment than most photographers; I love to throw away images. I find it very cathartic. Actually, I hate all my images and want to throw them all away. So, inevitably find some images that are worthy, at least for another look. When I am sure I hate all the rejects, I delete them — permanently. Gone, poof, finito.
I should be down to about a 1/4 or less of what I originally shot. Now I begin to rank. I go through the images again (still deleting occasionally) and I put a One Star ranking on the ones I like. This takes awhile because I may have some similars that I have compare side-by-side at 100%. And, Lightroom makes this sooooo easy to do. The best get a one star.
Then I filter so I only see the one star images and I put a two star ranking on the ones I like the most. Then I filter so I only see the two star images and I put a three star on the ones that really stand out. These are THE REALLY GOOD ONES and there are usually only about a dozen. Then I filter so I only see the three star images and pick the few GREAT ONES and rank them four star. That’s it. The only images that merit the rare five stars are the ones I have made into Fine Art Prints. The only ones. I have to save room to grow, expand, develop, and evolve!
Let’s say that I started with 5000 images from a 16 day trip to India. After the editing I have about 800-1000 images that have no ranking, about 60-100 that have one stars, about 20-40 two star images, a dozen of three star images, and a few of four star images.
Then I make sure that there are no more Rejects. I filter so that I see all the images. I batch rename and number them. Then I caption them (I prefer to caption over using keywords; just a personal preference since many of my buyers need captions. When I send images for Stock then I keyword them).
Ta da!
Added Note #1: Someone asked, “When do you process an image?”. I might do some light processing during the editing if I am having trouble visualizing the final outcome, or just want the satisfaction of seeing a better looking image. However, I only do concentrated processing on the four star images. I process the rest as needed, because I continue to get better and the programs get better.
Added Note #2: And, about Labels. I don’t use Labels for ranking but I do use them for identification. Red: Possible and then Final Selects for Getty Images; Green: Possible and then Final Selects for Corbis; Blue: Possible and then Final Selects for Fine Art Prints; Yellow: Images to send to someone; Purple: Free for other uses. However, I also use Collections for these kind of groupings also. It is just if I see a label then I know exactly what it means.
32 comments
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July 15, 2010 at 1:54 am
jilske
I just wanted to thank you so much for sharing this with us. Not only am I in awe of your amazing pictures, this is also a very focused process!
I struggle with editing pictures, but know exactly it’s due to lack of clear focus and I’m constantly learning more about what I like/dislike and trying to remember the mistakes I made so I won’t make them again!
Btw, you might be interested in PhotoMechanic in case you find Lightroom a bit slow for the initial selections.
If you haven’t heard of it, you can see an example in use here:
http://www.zarias.com/workflow-photo-mechanic-to-lightroom-to-photoshop-to-delivery/
July 17, 2010 at 10:34 pm
nevada wier
Thanks so much. I used to use PHoto Mechanic but Lightroom does everything it does and much better. Photo Mechanic is a fine “quick and easy” editing program though. If it serves you well then go forth and edit! nv
June 22, 2010 at 10:10 am
Gayle Winn
Thank you. I find deleteing pictures is often a test of confidence. The more one is able to identify the qualities of a good image, the easier it is to delete the bad. The issue is knowing what you are looking for and that remains a challenge!
June 22, 2010 at 10:47 am
nevada wier
Good point Gayle. That is why editing is important. You become a better photographer by learning how to decide what you like in your images and why you like those images. It comes down to why did you render that particular image on the sensor at that moment in that style? nv
June 20, 2010 at 7:01 pm
Joey Clifton
Thanks for this post. It was actually quite affirming that what I’m doing is somewhat on target and that I don’t have to produce multiple great pictures when I come home with 2000 shots. I find joy when I find the one or two great shots that move me. I need to continually remind myself that that is okay and I don’t have to “force” sub-par shots into greatness through a bunch of Photoshop manipulation.
June 21, 2010 at 6:40 am
nevada wier
Hi Joey. Congratulations on finding the simple, peaceful editing road! nv
June 19, 2010 at 6:36 am
Ron Castle
Nevada, I’m taking your second workshop in July at SFWS & one of the items on your survey asks how much free space we have on our hard drive. I don’t have a lot right now, but today I’m going to grab a bottle of wine to bolster my courage and fire up my “X” key in Lightroom! I’m very much looking forward to your workshop.
Ron
June 19, 2010 at 7:22 am
nevada wier
Ron: Don’t pass out! See you soon. Nevada
June 16, 2010 at 10:41 am
Ballroompics
Ha,
Here I have no problem. I trash photos all the time. My ‘star’ process is a tad different though. I try to approach the review process with a touch/rate it twice mentality. One to review and one to edit where necessary.
As I go through, anything I want to work with gets a 3 star rating. Anything that appeals to me straight out of the camera immediately gets a 4 star. Once the 3 star photos are edited they’ll get a 4 star rating as well. 5 Star ratings are very rare (I’m just not generally that good…yet).
A color label is applied to photos that I shot but that someone else wants and tagged with who wants them. Once those photos are edited they’ll also get a 4 star rating.
In short I use 4 stars to represent a finished item but it does not necessarily mean that its a photo of the highest quality. I do not generally bother ranking things for 1 or 2 stars. Anything that would fall below three stars is usually deleted unless there is a personal emotional attachment to the picture.
I am not above cropping to improve a picture but prefer to get it right when the picture is taken.
Thank you for sharing your process with us.
-B
Ps. Do you use any sort of backup equipment or service like Carbonite?
June 16, 2010 at 10:50 am
Ballroompics
PPs….more than slightly off topic but have you by any chance read The Lost City of Z by David Grann? Its about the life of Percy Harrison Fawcett, a British explorer, who disappeared in the Amazon 70+ years ago while searching for a lost civilization. He never found it but Michael Heckenberger, a contemporary archeologist, has found evidence that there was indeed an extensive pre-Columbian civilization in the area in which Fawcett searched.
Fawcett was the inspiration for his friend and author H. Rider Haggard’s (i.e. The Mines of King Solomon fame) adventure characters and supposedly, also the inspiration for Indiana Jones.
June 16, 2010 at 7:51 pm
nevada wier
Haven’t but sounds like a great read! Thanks! nv
June 16, 2010 at 7:50 pm
nevada wier
Sounds like you have a good system that works for you. That is what is important! I didn’t mention color labels. Thanks for the reminder. I’ll put in another note in the blog. I have an array of Raids and hard drives. Backed up to Backups to Backups, but not online. I have two many large files. nv
June 16, 2010 at 5:51 am
R Thomas Berner
I was glad to see that at the end of the process you didn’t have many photos left. That happens to me. I can shoot 500 images and end up liking 12. I did a shoot on our walking trails the other and thought I had 100 great images–until I edited and ended up with five. As crazy as it may sound to some, I am heartened by that. It reminds me of the photograph I worked with on my last newspaper job. Just shoot a lot and maybe you’ll get lucky and get a good one. 🙂
June 16, 2010 at 6:41 am
nevada wier
Hi Tom! Thanks for chiming in. You are a veteran so you know the process all too well. However… you bring up another point: luck. I don’t believe in luck. I do believe in having a great chance (they are everywhere) and using it to give the illusion of luck. What do you think? nv
June 16, 2010 at 4:17 am
Woody
Way back in film days, you emphasized learning the skill of “checking the edges of the frame” as the shutter realease was being toggled. Digital is so seductive in it’s “instant replay” capacity that it’s too easy to think about what can be “fixed” later with Adobe products. This can lead to endless hours in front of the monitor. I try to remember that “cropping is for farmers” when making photographs. I am also finding that spending a day with the old Rolliflex and some film reawakens the sensitivity to what really attracts me. Less time spent in trying to “fix” bad images leads to more fun time in the field “wandering around”, open to the “precious present”.
I guess one advantage to digital is not looking at the pile of rejects headed for the landfill!!
June 16, 2010 at 6:37 am
nevada wier
Hey Woody! Amen. Anything I can do to lessen the amount of time sitting in front of computer then I’m thrilled. Hey, it is 6:30am and I’m in front of a computer answering this email! What’s wrong with this picture!. nv
June 16, 2010 at 7:55 am
Woody
We’re not waking up in a boat in the Andaman Sea, that’s whats wrong>
June 16, 2010 at 12:56 am
ProphecyBlur
Great article, I can really relate to your editting process.
June 16, 2010 at 12:53 am
Tom Bourdon
An interesting read, thank you so much Nevada. I´m another photographer who probably doesn´t throw away nearly enough, always thinking up ´what if..´ scenarios ´what if I find a great way to process it´, ´what if I crop it´, ´what if I make it black and white´….
During my first edit I don´t really take the time to think all these questions through for each image as I´m keen to see (and process) the better images, so these images would go in my´maybe´pile and they sit there forever never really getting looked at again. Obviously I delete anything that horribly overexposed or really of no use but I´m sure I need to take more time and weed out the trash, but it´s easy to play it safe.
June 16, 2010 at 6:35 am
nevada wier
Hi Tom. I feel as if the no star images are in that category of “could of, and probably should of, but didn’t toss”. Since I’m not troubled by thoughts of cropping (because I never do) that helps. However, my way is not The Way. I think there are many legitimate reasons to keep images: from sentimental to “maybe I’ll use a piece of this in a collage”. Thanks for your comment! nv
June 15, 2010 at 10:01 pm
Craig Ferguson (@cfimages)
I think I like the idea of rejects. I don’t do that choosing instead to just leave them unrated and give 1 star to the good ones and then filter those again to find better ones. I end up keeping everything and never actually deleting any image, but having Lightroom only display the 1 star and above. Every so often I’ll take a quick look through the unrated ones and usually find a couple that are usable. Overall though, from my shooting in general I’m aiming for one great image a month.
June 15, 2010 at 10:11 pm
nevada wier
six stars..1/2 dozen stars. We are doing the same process. However deleting is low caloric and good for the soul. nv
June 15, 2010 at 8:23 pm
Erin Wilson
I really appreciate you outlining your process. This is so helpful! And I have to say… encouraging.
June 15, 2010 at 8:27 pm
nevada wier
de nada. It is definitely a process! nv
June 15, 2010 at 6:15 pm
Marty Backe
Thanks for your process overview. It inspires me to self edit the pictures I take. I have a tendency never to delete pictures unless they are horribly exposed or poorly focused. But in my defense, I’m not trying to corral 5000 pictures as you do.
The lesson that I take away from your post is to take lots of pictures, and be prepared (and follow through) to delete the majority of them. I mostly do the opposite.
I like your iterative approach. Thanks again for sharing.
June 15, 2010 at 6:20 pm
nevada wier
Well, if you spent 2-3 weeks in India you would have 5000 ++ images also! Yes, take lots and lots of photos of the moments, places, and people that mean something to you. Ignore the rest. I learned early on when I was editing to take more frames. So many times I would curse myself “Darn, why didn’t I use more film!!!” And, now it is easy because we have the illusion that digital is cheaper. Well, it is in terms of how many exposure you make! Good luck!
June 15, 2010 at 5:56 pm
Jeffrey Chapman
You are so right! And because you trash them, you don’t even have to worry about whether or not you might like them in the future. That seems extremely liberating! I think that’s my goal for the next trip.
I do virtually the same star system as you. I just need to be more relentless with trashing.
June 15, 2010 at 6:03 pm
nevada wier
You have to revel in the throwing away. It was definitely more cathartic with film to see that trash can overflow with celluloid! However, I love seeing the image count disappear. I feel a great accomplish has occurred.
June 15, 2010 at 5:54 pm
Timothy Faust
Nevada,
I really enjoyed this. I have a lot of photographers bringing excellent work in to my gallery or to show at one of my workshops, but often there great images are watered down by the mediocre ones. Editing is definitely a must have skill.
Thanks!
June 15, 2010 at 5:58 pm
nevada wier
I agree it is a much needed skill. And, is usually marred by emotional attachment to the experience they had while they were photographing. Or, not having a clear vision of their own photography.
June 15, 2010 at 5:47 pm
Jeffrey Chapman
You trash 75% of the images you shoot? I have a new hero! I wish I could do that. I’m always afraid that in ten years I might see things differently, but I’d love to just have them be gone.
June 15, 2010 at 5:54 pm
nevada wier
Yes, I do trash that much. I really only want to keep what I think are my best images.
To be honest, I don’t care if I like a image ten years later. What I care about is what I like when I was photographing. I really believe in being in the moment. I hope in ten years that I will still be photographing and I will be even better! And I hope I will be seeing differently. So going back ten years and pulling out images after the fact seems rather useless to me.